Sometimes a recording comes together easily, with a minimum of muss or fuss. Other times, life seems to conspire against it, but that doesn't necessarily mean it doesn't get done, or that it suffers as a result. Sometimes, in fact, it can make the end result even better. For John Scofield—one-third of a power trifecta of guitarists, also including Pat Metheny and Bill Frisell), who emerged in the mid-1970s to become some of their generation's most influential and highly regarded jazz artists—the road to his latest release, the aptly titled A Moment's Peace (EmArcy, 2011), was riddled with complications. But the end result is a set that stands out among the plethora of ballads albums flooding the market these days, with its unique combination of standards, less-traveled covers and Scofield originals delivered with more gentleness than is, perhaps, expected from a guitarist capable of searing paint off a wall.
Still, despite its largely relaxed nature and slower tempos, A Moment's Peace manages to come to a near boil at times—no surprise, given the powerful group that ultimately converged for a couple days in January, 2011, at Sear Sound in New York City: keyboardist Larry Goldings (making A Moment's Peace a recording reunion of sorts, having last worked on Trio Beyond's Saudades [ECM, 2006], in 2004); ubiquitous and ever-adaptable bassist Scott Colley; and Brian Blade, a drummer who, like Scofield, is perhaps better known for his unbridled power and sheer improvisational energy than the soft approach and subtle nuances he demonstrates here.